Archive for October 2009

 
 

Twinned with…

Recently my rants - or posts - have meandered slightly out of the realms of all things photographic..so as a catch-all for other comments - and many related - I’ve set up a smaller blog to run alongside this (main) one. Writtenbylight (redux) is just a way to post other thoughts - importantly from out in the world. I travel a lot on public transport - just looking out of windows - finding myself detached both from the world outside as equally the world inside - and decided to use the time wisely. And so writtenbylight (redux) is just a way to stop my brain from liquidising and running out of my ears whilst on a long tedious journey. Ok, that last sentence was a little gory but it is Halloween after all. Drop in and check it out sometime.

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Persistent Doubts: The Photojournalist Genre…

Recently Prison Photography published my ‘If’ homage as part of its developing debate on documentary practice and photojournalism. They are hoping to arrange a symposium on the subject next year.

Prison Photography is probably the best blog out there at the moment I recommend a look. My small part in it is here.

…if…

I recently sat down to watch an episode of the Art Show entitled If - on the 4OD website. The episode asks a number of contemporary poets to produce modern (re)workings of Kipling’s famous poem ‘If’. I’ve always loved the sentiments of that poem. And in homage I’m offering my own albeit shorter version.

It perhaps speaks of my own misgivings of documentary photography.

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If

If you can meet strangers and develop relationships with them
If you can enter into their lives and ensnare them with trust
Then solicit from them their lives and record this with your camera
And if you can make them believe this to be a collaborative process
Only to end this when your photographs are taken - never to see them again
And if you can raise a profile upon these images
Whilst talking sympathetically of the plight of those you have discarded
Yours is the Earth and everything that’s in it
And - which is more - you’ll be a documentary photographer, my son!

…..lights, cameras…[sound]….?

I’ve uploaded an audio clip - recorded off a laptop….from a video (so it’s a tad ropey) - of an interview that will form an element of a short film that I’m currently making. The film forms part of what will be a text and image work examining economic migration.

In the audio clip “M” discusses her journey to England, the world she has left behind and the world she still hopes to find.

I thank “M” for everything, her time, her hospitality and her honesty; and I truly hope you find what it is that you are looking for.

The clip can be found here.

….everything we lose in nature…

A man waits alone on the corner of a road that is adorned by an assorted collection of jaundiced looking polystyrene burger containers. Containers that only a few hours earlier, had held a greasy meal that topped off someone’s alcohol tinged night out with friends.

His shoulders droop, as his hands clasp behind his back, and I look at a faint burgundy pattern that runs through the grey acrylic fibres of a suit jacket that seems best fitted for someone, anyone, other than him.

People and cars pass by him as his hands unclasp and he reaches for a bush of a black beard that he smooths down repetitively with his right hand, and in so doing, reminds me of a Bond villain petting a supine feline.

He’s waiting; still waiting. As his left foot moves slowly from side to side, as he appears to draw a small imaginary pattern out onto the pavement. I look at his once white trainers and then up at his navy track suit bottoms.

You will often see people just waiting in Smethwick.

Just sitting on benches or standing on street corners looking off into the distance. All of them looking like lost items of property waiting patiently for someone to claim them and give them a purpose.

The credit crunch never happened here as this world was already broken…before the bust. The only thing that has changed here is that the ‘local’ prostitute has moved on in search of richer pickings. Or so I’ve been told.

I spoke to her once. Someone had shut a car door on her thumb and she asked me for a cigarette as our paths crossed in the street, but I don’t smoke, and then she walked off to the doctor’s surgery. She was tall and young and good looking below the chemical haze and broken exterior. The next time I saw her she was staggering out of a car parked up behind the Bella-Pizza Pizzeria. Staggering and drawing closed her obligatory sheep skin coat. And then she was gone.

But nothing changes really. People will still buy their bottles of Whiskey or tins of beer with their morning papers and the wind will still carry the shouting and screams that ring out occasionally, off into the night.

But the night is to be welcomed here - as the night is a shroud that covers the deceased frame of a town and its people. The man waiting on the street corner and the photographer who writes his blog; all of us who find themselves on a hiatus between the lives they have left behind and the lives they still hope to find.

….everything we find in nature…

I like Todd Hido’s work.

OK, there’s more. The video below, at 10 minutes, is quite detailed in its examination of his working practice, and for anyone else who likes his work, it’s a detailed and informative ride as he is very candid and open about his methodology. It’s quite refreshing then to see someone doing quite well who hasn’t adopted the troubled genius persona….and actually seems ‘normal’.

Enjoy.


The walls of Harfleur…

During one day of our summer that never was, I spent eight hours in the company of an ex-British Cabinet Minister. During the course of our conversations they mentioned how they felt that President Hamid Karzai of Afghanistan was ‘deeply corrupt’. Operation Panther’s Claw had just been launched and thousands of Coalition troops had begun to flood into the southern areas of the country - the heartland of the Taliban - to help secure a platform that would enable the free and ‘democratic’ elections that were soon due to take place.

The passing of the summer, and of course the operation, has revealed that these ‘democratic’ elections were so in name only. As villages, that only had handfuls of eligible voters, somehow voted in their thousands for the incumbent President Karzai. Karzai’s main rival during the election, Dr Abdullah Abdullah has blamed the Independent Election Commission for helping to rig the elections in favour of Karzai. It should be pointed out that incumbent President Karzai set up the IEC.

Dr. Abdullah, of course has not been without blame himself, as accusations of ‘buying’ votes has also been targeted at him. With all of this, Heroin production has hit high heights and experts have estimated that the Taliban has earned $100 million from it. Who said that war is bad for business? It of course wasn’t BEA System, General Dynamics, Boeing, Lockeed-Martin, etc..etc…etc…

According to figures published by the Telegraph, on August 26th, from early July to August 20th, (this does not include the earlier mid June pre-emptive phase of the operation), the British Army had 37 soldiers killed and an estimated 150 wounded in action. Yet, according to the BBC, despite British forces securing ground in the south that apparently freed up a potential of 80,000 voters - only 150 turned up to vote.

More British soldiers were killed or wounded than the number of those who actually voted within the region they liberated. As the American General Stanley McChrystal has said, time is running out in Afghanistan. For the 37 dead British soldiers time has sadly already stopped.

The Frontline documentary below examines the legacy of Operation Panther’s Claw which is seen as the opening salvo of what is now considered to be Obama’s War. Photojournalist Danfung Dennis spent three weeks following Echo Company from the start of the battle. His film contains scenes of a graphic nature.